When I was a kid, there were two countries split by Communism: Korea and Germany. Germany was always a country of great interest to me since my grandparents came from Germany. Although East Germany was part of the Soviet-controlled Eastern Bloc, it didn’t regularly make headlines like the Soviet Union did (or, at least, not ones that a kid like me heard about). I knew it was oppressive and that people tried to get out. The movie Night Crossing, about a couple families’ daring escape from East Germany in a hot air balloon, was one of my favorites. I first saw it thanks to the Disney Sunday Night Movie (or some similar title), which we had recorded on VHS and watched more than once. The escape was harrowing and courageous, and I couldn’t believe that there was a country that was so intent on controlling its own people. Even though I was so young, I thought the reunification of Germany was a really cool event.
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The book was interesting, but also disappointing in some ways. The stories about the former East Germans were great. Funder found a variety of people, a nice cross-section of society that helped present a fuller picture for the reader. The stories from those who were oppressed and persecuted or who had resisted in some way were both exhilarating and depressing. They fought, but often it cost them dearly. A few of the stories were genuinely inspiring. Some of the more logistical or mechanical stuff involved was also interesting from a strictly historical point of view. The book was disappointing because of the inclusion of so much of Funder’s journey. Even some of the more gripping stories were told from the author’s first-person point of view, which I thought greatly detracted from the book and its potentially strong message. The author was affected by the stories and people she came in contact with in a profound way that impacted her psychologically. She had to come to grips with that, and the reader is taken along for part of that journey. Finally, the book, although almost twenty years old, succumbs to that odd rule of modern publishing in which publishers seem to think that if a word doesn’t use the F-word a few times, people won’t take it seriously. Although prevalent in today’s society, I find that it detracts from literature that is trying to be serious.
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